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I began scripting this collection of articles precisely to keep away from all these ramblings current on private enchancment books.

At the end of a bachelor course (bac+3) at ESAV, in editing and scriptwriting, the student is trained to work as a scriptwriter on a short film set, to ensure its preparation and to have a look at the continuity of the film production.

After a Master of Literature and French Civilization at the University of Tunis, Raja Amari took courses at FEMIS (Fondation Européenne de Image et du Son) in Paris, in the scriptwriting department.

At the same time, she responds to Pierre Cavale’s invitation and gets involved in Pure coincidence Films as a producer, script-girl and art director.

Desiree, the continuity girl, is there in the corridor, with a sympathetic look.

On the set, the script (or the script, even if this job is known to welcome a lot of women) is the person responsible for the respect of the narrative continuity of the film (in English we speak about continuity girl).

My personal favorite is "I don't read the script -- the script reads me.

A good film script should be able to do completely without dialogue.

We had a really good script; the lighting was great.

This is the script that pre-minute of each stage and plan.

The student will also study directing and script writing.