The full and the voids are balanced and give rise to the vibration of the surface.

I played with shapes, on full and empty, just as with contrasts and balance.

Val plays with the solids and voids to create a harmonious rhythm.

I intend to play with fullness and emptiness, presence and absence, which are generated by certain actions.

I intend to play with fullness and emptiness, presence and absence, which are generated by certain actions.

The full and the voids are balanced and give rise to the vibration of the surface.

I intend to play with fullness and emptiness, presence and absence, which are generated by certain actions.

The outcome of a battle depends on how one handles emptiness and fullness (weakness and strength).

Its typology, the relationship between solid structures and voids, are part of a study to seek a balance between thermal, visual and acoustic problematics.

From jewellery to sculpture, the full and empty spaces interact in a harmony that is both subtle and obvious.

The tall yipwon hooks and anthropomorphic spirit figures feature silhouettes punctuated with curves and sharply pointed elements interacting with empty and full volumes.

The impact of the horizontal and vertical slats, so similar to stripes, highlights the full and empty spaces, asserting the identity of the collection.

This geometric relationship creates a unit of format with the building and allows to play with full and empty spaces.

The impact of the horizontal and vertical slats, so similar to stripes, highlights the full and empty spaces, asserting the identity of the collection.

The impact of the horizontal and ver tical slats, so similar to stripes, highlights the full and empty spaces, asserting the identity of the collection.