The stapling tool (10) has a guide (30) for guiding along the cabling for periodic stapling.

From early on, between figuration and abstraction, his paintings, collages, drawings, assemblies and staplings immediately propulsed painting into a mechanical process.

And this, without taking into account the more recent “coudrages” and other “agrafages” which marvelously illustrate the way that Michel Nedjar, just like a harvester, reconstructs a fragmented identity.

And this, without taking into account the more recent “coudrages” and other “agrafages” which marvelously illustrate the way that Michel Nedjar, just like a harvester, reconstructs a fragmented identity.

He creates abstract series by putting together pieces of wood, packages and scraps of cloth: Agrafages (from cut up and reconstructed pieces of work 1966-1968), Camouflages (1966-1968) and Recouvrements (from old paintings, 1964).