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Etude in F-sharp Major, Op. 42, No. 3 (“The Mosquito”) [Skriabin, Alexander]

The second version (1893), in the remote key of F♯ major, also in Ländler style with a viola solo, has a somewhat ethereal sound.

The second version (1893), in the remote key of F-sharp major, also in Ländler style with solo of viola, has a somewhat ethereal look.

The second version (1893) in F♯ major, also with solo viola, looks somewhat ethereal.

Frédéric Chopin's Impromptu No. 2 in F-sharp major, Op. 36 was composed in 1839 and published in the following year.

With its much freer formal plan, in which no section is repeated identically, Impromptu No. 2 in F-sharp Major, Op. 36, comes closer to pure improvisation, in which sometimes disparate ideas fl ow into each other organically.

The transition theme, still passionate, loses its plaintive quality entirely, and gradually builds to a climax which brings us to F-sharp major.

The following minuet is in the key of F-sharp major; its main peculiarity is that the final cadence of each section is made very weak (falling on the third beat), creating a sense of incompleteness.

The following minuet is in the key of F♯ major; its main peculiarity is that the final cadence of each section is made very weak (falling on the third beat), creating a sense of incompleteness.

A multi-year cycle of Gustav Mahler's works was particularly acclaimed, and the orchestra’s live Carnegie recording of Korngold’s Symphony in F-sharp (Polygram label) earned a JUNO nomination.

A multi-year cycle of Gustav Mahler’s works was particularly acclaimed, and the orchestra’s live Carnegie recording of Korngold’s Symphony in F-sharp (Polygram label) earned a JUNO nomination.

Arthur Rubinstein is playing this piece composed by Frederic Chopin.