Make a point/counter-point poster that displays both sides of the debate.

A play between the field against the field, between the tortured and his torturer, behind a stifling closed door.

In the Flemish cinema today, I think that there are too many series of just medium, close up, shot-countershot.

Their memories sketch out the cross-angle view of the “strong memories” that write history.

He is both the source and progeny of David’s line.

I often used long sequence shots on looks and emotions rather than the shots/counter-shots, typically used in animation.

I often used long sequence shots on looks and emotions rather than the shots/counter-shots, typically used in animation.